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"It is like a fairy-tale," says Violet, with unwonted excitement. "Oh, Mona, tell us how you managed it.",

"Perhaps you may not know it," says he, "but you are simply perfection!",

"A nice time to offer such advice as that," says Rodney, moodily. "But I shan't take it. Mona,"—seizing her hands and speaking more in passionate excitement than even in love,—"say at once you will keep your word and marry me.",

"I think, sir, after that you may consider yourself flattened," says Geoffrey, with a laugh.

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It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum.,

"Oh, yes," says Mona, brightening even under this small touch of friendliness. "I'm very fond of it, too. I can get through all the steps without a mistake.",

Unconsciously she has betrayed herself. He hears the word "again" with a strange sinking of the heart. Others, then, are desirous of claiming this wild flower for their own.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.